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Polyptychs,2017.National Gallery of Umbria,Perugia Italy

01 MAY 2017 - 01 JUNE 2017

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Installation Views

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Artwork: Since Last We Met, 2019 Simon Lee Gallery New York Photo: Jeffrey Sturges

Since Last We Met, 2019

Simon Lee Gallery

New York

Photo: Jeffrey Sturges

Selected Works

Artwork: Eric N. Mack, Warrior, 2016

Warrior, 2016

Acrylic, dye, cardboard, Comme des Garçon tissue paper, and pistachio shells on pegboard

243.8 x 121.9 cm (96 x 48 in.)

Courtesy of the artist and Simon Lee Gallery

Artwork: Eric N. Mack, Untitled, 2018

Cotton, denim, dye, linen, polyester and silk

249 x 287 x 284.5 cm (98 1/8 x 113 x 112 1/8 in.)

Courtesy of the artist and Simon Lee Gallery

Artwork: Mike Kelley, Dialogue 6 (an example of reflection or absorption), 1991

Dialogue 6 (an example of reflection or absorption), 1991

Blanket, ball, cushion, tape recorder, tape with text spoken and written by the artist

177 x 90 cm (69 5/8 x 35 3/8 in.)

Courtesy the artist and Simon Lee Gallery

Artwork: Elaine Cameron-Weir, zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone, 2019

Elaine Cameron-Weir

zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone, 2019

Stainless steel, aluminum, pewter, parachute silk, parachute harness clips and ripcord hardware, laboratory clamps, orthopedic jaw fixation hardware, leather, shells

201.9 x 61 x 20.3 cm (79.5 x 24 x 8 in.)

Courtesy of the artist and Hannah Hoffman, Los Angeles. Photo: Isabel Asha Penzlien

Artwork: ektor garcia, cadenas II, 2019

cadenas II, 2019

Steel, leather, waxed thread

109.2 x 25.4 x 5.1 cm (43 x 10 x 2 in.)

Courtesy of ektor garcia and Cooper Cole, Toronto

Artwork: Michael E. Smith, Untitled, 2019

Michael E. Smith

68.6 x 17.8 x 17.8 cm (27 x 7 x 7 in.)

Courtesy of the artist and Andrew Kreps Gallery, New York

Artwork: Robert Rauschenberg, Codex (Hoarfrost), 1975

Robert Rauschenberg

Codex (Hoarfrost), 1975

Solvent transfer and paper bag collage on fabric

100.3 x 72.4 cm (39 1/2 x 28 1/2 in.)

© 2019 Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), NY

Artwork: Robert Rauschenberg, View Finder Summer Glut, 1987

Robert Rauschenberg

View Finder Summer Glut, 1987

Acrylic and enamel on aluminium and steel

203.2 x 179.1 x 22.9 cm (80 x 70 1/2 x 9 in.)

© 2019 Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), NY

Artwork: Anna Betbeze, Loam, 2012

Watercolour, acid dyes on wool

251.5 x 154.9 cm (99 x 61 in.)

Courtesy of private collection

Artwork: Anna Betbeze, Milk, 2012

Wool, ash, gesso

149.9 x 120 cm (59 x 47 1/4 in.)

Courtesy of private collection

Artwork: Robert Morris, Untitled, 1983

Felt and metal grommets

241.9 x 121.9 cm (95 1/4 x 48 in.)

© 2019 The Estate of Robert Morris / Artists Rights Society (ARS), New York

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Qingdao

Will Wang

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Will Wang

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